Ground Zero

Tejas Deoskar’s “Ground Zero” is a perfectly decent counter-terrorism thriller that takes its sweet time getting to the good bits, though when it does, it rather makes up for the sluggish start. Based on true events involving BSF operations in Kashmir, the film delivers proper thrills once it stops faffing about with exposition.

Emraan Hashmi turns in a committed performance as a BSF officer, bringing his usual intensity whilst mercifully avoiding the chest-thumping heroics that plague most Indian military films. He’s genuinely compelling when given decent material to work with, particularly as the story picks up steam in the latter half.

The film’s biggest bugbear is its pacing. Deoskar seems hellbent on establishing every conceivable bit of backstory before getting to the actual story, which tests one’s patience rather unnecessarily. The Kashmir setting feels authentic, and the supporting cast provides adequate backup without being particularly memorable.

Where “Ground Zero” truly comes alive is in its final act. The tension ratchets up considerably, and the action sequences feel authentic rather than choreographed for maximum spectacle. However, the film occasionally gets a bit preachy when it should have trusted its story to do the talking.

What’s most refreshing is the film’s restraint. It’s genuinely surprising to see a military thriller that doesn’t descend into flag-waving nationalism. Instead, Deoskar delivers a thoughtful examination of counter-terrorism work that respects both the complexity of the subject and the intelligence of the audience.

A decent thriller that could have been genuinely excellent with tighter editing and more faith in its own narrative strength. Worth sticking with, even if the first half tests your patience.

6.5/10.

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