120 Bahadur is a film of immense heart but uneven execution, serving as a valiant effort that unfortunately falters as a modern cinematic product.
While it is commendable to see the incredible sacrifice of Major Shaitan Singh and the 13th Kumaon Regiment finally take center stage, the storytelling feels like an odd hybrid of 1960s Haqeeqat and 1990s Border.
In an era of nuanced war dramas, this approach feels remarkably dated for 2025. The misplaced accents are particularly jarring, pulling the viewer out of a setting that demands absolute authenticity. While Farhan Akhtar and the ensemble deliver steady performances, there is nothing truly path-breaking here to match the magnitude of the real-life Battle of Rezang La.
It remains a watchable tribute to a Param Vir Chakra legend, but ultimately feels like a missed opportunity to redefine the Indian war genre for a new generation.
